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This subsection of Ad Archive combines best commercials from all over the world according to certain themes, focusing on different creative methods and techniques, on best reels of directors, studios, agencies and brands. The section supplements the collection of prints “
Mysterious coincidences
”. However, in the TV-spots case we are talking about “focus” in particular, making an attempt to categorize creative methods and strategies.
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| «« Shooting from the moving train | Super Bowl 2009 commercials | Catchy pain relief ads »» |
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Client: Audi
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Product: Monster.com
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Agency: Burrell, Chicago
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Agency: Crispin Porter + Bogusky, Miami
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Agency: Goodby, Silverstein & Partners, San Francisco
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Client: Hulu
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Agency: DraftFCB, Orange County
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Brand: E-Trade
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Brand: Cars.com
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Client: Cash for Gold/Euro RSCG Edge
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On Sunday, Will Arnett and Pepsi joined forces to refresh the Super Bowl. The Emmy-nominated star of
Arrested Development
and
30 Rock
hosted the world’s first online Super Bowl party at his house and
refresheverything.com
. Will’s guests included a host of other comedians and oddballs from all walks of life. Will's invite went out to several YouTube all stars like "What the Buck" and "Hot For Words." During the raging party, Will invited web users to send their own videos of their parties. Created by TBWA\Chiat\Day in Los Angeles, Will Arnett’s Online Super Bowl Party was just one component of Pepsi’s significant presence at Super Bowl 43.
Agency: TBWA\Chiat\Day, Los Angeles Global Director of Media Arts: Lee Clow Executive Creative Director: Rob SchwartzDigital Creative Director: Olivier Rabenschlag Creative Directors: Brett Craig, Joe Shands Copywriters: Will Arnett, Greg Collins, Furcot, Chris Jones, Andy Richter, Rich Siegel, Paul Sincoff Head of Production: Richard O'Neill Executive Producer: Anh-Thu Le Producer: Jane Krull Production Coordinator: Matt Magsaysay Interactive Production Director: Robbie Whiting Interactive Executive Producer: Derek Vandenbosch Interactive Program Manager: Keith Bellinger Interactive Art Director: Sonia Vaynerman Production Company: The Famous Group Executives Producer: Andrew Isaacson Producer: Michael Steinmann Editorial Company: Venice Beach Editorial Editor: Daniel Reitzenstein, Rick Shambaugh, Garrett Smith Executive Producer: Hunter Conner Senior Producer: Cristy Pacheco Junior Producer: Mina Nasseri |
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Agency: The Richards Group, Dallas
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Agency: Goodby, Silverstein & Partners, San Francisco
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Agency: DDB, Chicago
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Agency: DDB, Chicago
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Client: Bud Light Lime
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Agency: DDB, Chicago
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Agency: Goodby, Silverstein & Partners, San Francisco
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Agency: DDB, Chicago
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Agency: Ogilvy & Mather, New York
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Agency: The Richards Group, Dallas
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Agency: Ogilvy & Mather, New York
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Client: Denny’s
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Advertiser: Toyota Trucks Agency: Saatchi & Saatchi, Los Angeles Executive Creative Director: Harvey MarcoCreative Director: Erich Funke Art Director: Peter Vattanatham Copywriter: Craig Lederman Director of Integrated Production/Multimedia: Damian Stevens Senior Producer: Jennifer Vogtmann Production Company: Anonymous Content, Los Angeles Director: Andrew Douglas Executive Proudcer: Andy Traines EP/Head of Commercials: Dave Morrison Head of Production: Sue Ellen Clair Producer: Aris McGarry Production Supervisor: Justine Madero Editor: Robert Duffy @ Spotwelders Assistant Editor: Healy Snow EP: David Glean Editorial Producer: Carolina Wallace Visual FX: Mass Market Sound Design: Noises Digital Sound Designer: Kim Christensen Audio Post: Lime Mix: Loren Silber |
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“Power of the Crunch” is a comedic take on the idea that people are corrupted by ultimate power. In less than 30 seconds, the main character spirals through a series of extreme indulgences and ultimately self-destructs.“The idea that you can make your own spot with a potential run on the Super Bowl was very enticing,” says Director Eric Heimbold. "Conceptually, I wanted to tell a story that’s edgy and funny – and inspired conversation. This project also enabled me to use the skill sets I’ve gained from my work in music videos in terms of storytelling and finding creative solutions.” Agency Goodby, Silverstein & Partners San Francisco
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Brand: Doritos
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Agency: Campbell Mithun, Minneapolis
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NFL spot directed by Joe Pytka and featuring Usama Young from the New Orleans Saints and his dad.
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Client: Pepsi (“Refresh Anthem”)
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Agency: TBWA\Chiat\Day, Los Angeles
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Here are the bits from High Life's digital cutting room , rejected one-second Super Bowl spots. In its never-ending quest to spread common sense and promote value, Miller High Life has opted not to spend $3 million for 30 seconds, and will instead air a one-second ad during the big game. Here are a few 1-second ads that didn't make the cut, and a few outtakes.
Client: Miller High Life
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Client: PETA
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Ever think about getting an unusual pet like a bison, a boar, an ostrich or a rhino? See what happens to the pet owners in our Super Bowl ad, and then you'll know why you should get a dog.
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Agency: Goodby, Silverstein & Partners, San Francisco
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Agency: Goodby, Silverstein & Partners, San Francisco
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Agency: Goodby, Silverstein & Partners, San Francisco
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Agency: Goodby, Silverstein & Partners, San Francisco
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Client: Coca-Cola
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Agency: Wieden + Kennedy, Portland
Producer: Kelly Fuller Super bowl 2009 |
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Agency: TBWA\Chiat\Day, Los Angeles
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Client: Coca-Cola
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Client: GoDaddy.com
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Miller High Life drinkers look for value, and so does this tasty-priced beer. We wouldn't spend $3 million dollars for 30 seconds. In fact, I bet we could get our point across in just 1 second.
Client: Miller High Life
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Spoiler Alert:...
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Agency: Wieden + Kennedy, Portland
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| «« Shooting from the moving train | Super Bowl 2009 commercials | Catchy pain relief ads »» |