Victim Support / National Centre for Domestic Violence Design & Branding National Centre For Domestic Violence: HANDS by J. Walter Thompson London

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National Centre For Domestic Violence: HANDS

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Industry Public awareness, Against violence
Media Design & Branding
Market United Kingdom
Agency J. Walter Thompson London
Executive Creative Director Russell Ramsey
Photographer Tal Silverman
Released June 2011

Credits & Description

Type of Entry: Graphic Design & Design Crafts
Category: Advertising Typography
Entrant Company: JWT LONDON London, UNITED KINGDOM
Design/Advertising Agency: JWT LONDON London, UNITED KINGDOM

Executive Creative Director: Russell Ramsey (JWT)
Copywriter/Art Director/Typographer: Philip Meyler (JWT)
Copywriter/Art Director/Typographer: Darren Keff (JWT)
Account Manager: Emily Medhurst (JWT)
Art Buyer: Sue Clifford (JWT)
Photographer: Tal Silverman (JWT)

Brief Explanation:
N.C.D.V. is about immediate action. A fast, free emergency service that gets the victim away from the root of the problem – the abuser. Specifically, the hands of the abuser.

By hiding the headline within the typographic hands, we wanted to convey a feeling that abuse isn’t something victims need to keep secret. They don’t need to suffer in silence.

Our aim was to draw people in, question what they are seeing and then learn that help is out there.
Describe the brief from the client:
With 1 in 4 women suffering domestic violence during their lifetime the client wanted a piece of creative that conveyed a sense of this being a problem that is always suffered in silence, hidden behind closed doors – and that needn’t be the case, offering sufferers an escape, a helping hand.

Without resorting to shock tactics, they also wanted us to find a way of conveying a real feel for the physical side of domestic violence, the intolerable pain of it.
Description of how you arrived at the final design:
Domestic abuse lurks beneath the veneer of society – behind closed doors – we wanted to reflect this hidden nature of the problem in the final design.

With the abuser’s hands physically being the root of the problem, we concluded they were the perfect vehicle to typographically portray the solution offered by the charity.
Indication of how successful the outcome was in the market:
Driving awareness that help is out there was the key objective, giving them somewhere to turn, letting them know they are not alone. If we helped one victim of domestic violence we would have deemed the communication successful. The helpline received a marked increase in calls.