I Got This We Are Unlimited für McDonald's

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I Got This

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Branche Schnellimbiss
Medien Fernsehen und Film
Markt Vereinigte Staaten
Agentur We Are Unlimited
Creative Director Tim Souers
Art Director Tim Pliego
Copywriter Carolyn Holyk
Produktionsagentur Tool Of North America
Director Brig White
Service Agency The Colonie
Veröffentlicht Juni 2017

Kredite und Beschreibung

CLIENT: McDonald’s
LENGTH: :30, :15
TYPE: Broadcast Commercial/ :30 + On-Line Version/:15
AGENCY: We Are Unlimited / Chicago
Executive Producer/Chief Production Officer: Jon Ellis
Producer: Craig Wagner (Freelance)
CD: Tim Souers
Copywriter: Carolyn Holyk
Art Director: Tim Pliego
PRODUCTION COMPANY: Tool of North America/ LA
Director: Brig White
DP: J. Gurnari
Producer: Wade Brandenberger
EDITORIAL COMPANY: The Colonie / Chicago
Creative Editor: Bob Ackerman
Assistant Editor: Graham Chapman
Finishing: Tom Dernulc
Executive Producer: Mary Caddy
VISUAL FX/DESIGN COMPANY: The Colonie / Chicago
VFX Artist: Tom Dernulc
COLOR CORRECTION COMPANY: Filmworkers Club /Chicago
Colorist: Fred Keller

Synopsis:
We Are Unlimited Taps the Talents of The Colonie Editor Bob Ackerman For McDonald’s Humorous Spot, ‘I Got This’

The Chicago-based Boutique Provides a Full-Service Approach to Cutting, VFX and Finishing For the Broadcast and Digital Campaign


Chicago: We Are Unlimited teamed up with creative editor Bob Ackerman at The Colonie for McDonald’s new spot, ‘I Got This,’ introducing its new ‘One For You. One For Free’ Daily Deal Menu. Directed by Brig White out of Tool of NA/LA, the campaign’s off-kilter humor is heightened by improvised exchanges between the actors playing the two featured characters.

The commercial opens with the two friends at the McDonald’s counter making quizzical noises as they peruse the menu board. Ackerman used this unscripted moment to open the spot in a unique way that grabs the viewers’ attention.

“After Brig delivered the footage, I only had two days to edit before presenting a rough cut to the client,” says Ackerman. “Even though we were on a tight deadline, there were so many great improvisational moments that I couldn’t help myself. I ended up cutting nine different versions – each built around a different gag in the open and the body of the spot. Providing the agency’s team with so many options made it easier for us to hit the ground running.”

This job was The Colonie’s first opportunity to work with We Are Unlimited, the new ad agency created by the holding company, Omnicom Group, to work exclusively on the McDonald’s account.

“The creative team at the new agency is fantastic,” says Ackerman. “Creative director Tim Souers, and associate CDs Caroline Holyk and Jonathan Pliego came to us with a great concept and ready to dig in. Sometimes, during the editing process, you have to let go of those special moments that worked so well on the set and go with what works best on film. The whole team was a quick read when it came to taking advantage of happy accidents that elevated the story. It’s a great experience when the creative group not only excels at what they do, but also are a pleasure to work with.”

The VFX department at The Colonie nailed a difficult track of the menu board through a rack focus with the employee in the foreground. VFX supervisor Tom Dernulc created a defined border around the menu to give it a more realistic feel. Also, for continuity, he removed a girl that popped in and out of the background.

“I’m always looking for ways to contribute to a project that goes beyond what’s expected, “says Dernulc, “If I see even the smallest detail that may enhance the impact of a visual story, then I address it. Otherwise, I’d have to curse under my breath every time I see the spot on TV.”

The scenario ends with one friend telling the other, “I got yours buddy,’ leaving his pal befuddled - since the second meal is free. The spot closes with graphics displaying the various of Daily Deals that McDonald’s offers each day of the week

The broadcast and online campaign was cut on The Colonie’s Avid Media Composer and finished on Flame Premium.The spot was shot on ARRI Alexa Mini cameras at the McDonald’s Production Center in City of Industry, CA.