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Spikes Asia 2017

Award Type: Advertising Awards

SINGAPORE OFFICE 21 MEDIA CIRCLE #05-05 INFINITE STUDIOS SINGAPORE 138562

Website: http://www.spikes.asia/
Phone: +65 6224 6101

Spikes Asia is a collaboration between Lions Festivals and Haymarket. The Festival and Awards provide the region’s creative communications industry with a platform to network and exchange ideas, bringing together the finest creative thinkers from around the world.

 

Special Awards

 

Advertiser of the Year: Samsung Electronics

Asia-Pacific Agency of the Year

 

1. DENTSU INC. TOKYO, Japan

2. CLEMENGER BBDO MELBOURNE, Australia

3. COLENSO BBDO, AUCKLAND, New Zealand

 

Country Agency of the Year Award

Dentsu Inc., Tokyo, Japan

Clemenger BBDO, Melbourne, Australia

Ogilvy & Mather, Singapore, Singapore

Fred & Farid Shanghai, China

Taproot Dentsu, Mumbai, India

CJ WORX, Bangkok, Thailand

Dentsu Jayme Syfu, Makati City, The Philippines

Cheil Worldwide, Seoul, South Korea

Cheil Worldwide, Hong Kong

Isobar, Kuala Lumpur, Malaysia

Hakuhodo Indonesia, Jakarta, Indonesia

Colenso BBDO, Auckland, New Zealand

 

Independent Agency of the Year

1. CJ WORX BANGKOK, Thailand

2. FRED & FARID SHANGHAI, China

3. ENJIN TOKYO, Japan

 

Media Agency of the Year

1. PHD, AUCKLAND, NEW ZEALAND

2. OMD, SINGAPORE

3. DENTSU X, MAKATI, THE PHILIPPINES

 

Spikes Palm Award

1. TOHOKUSHINSHA FILM CORPORATION, JAPAN

2. REVOLVER/WILL O'ROURKE, AUSTRALIA

3. JOINERY, USA

 

Network of the Year

1. BBDO WORLDWIDE

2. DENTSU

3. OGILVY & MATHER

Shackletons Return

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Industry Cars
Media Film, Digital, Interactive & Mobile
Market Worldwide
Agency Innocean Seoul
Executive Creative Director Shikoh Kimura, Michael Kittel
Art Director Carlos Gonzalez, Claire Parker, Chul Jung Hwang, Minjung Ko, Young Ho Kim, SANGKWON PARK
Copywriter Jeong-Sik Lee, Claire Parker, Newton Pacheco, Stephanie Summers, Kyu Rhee, Park Eunjoo, Seung-Jin Han, JUNKYU LEE
Production Love&Money Seoul
Released December 2016

Awards

ADFEST 2018
Media Lotus Best Use Of Branded Entertainment & Content: Digital & Social Media Gold
Interactive Lotus DIGITAL INTEGRATED CAMPAIGN SUB-CATEGORIES: DIGITAL INTEGRATED CAMPAIGN: CORPORATE IMAGE Silver
Film Lotus INTERNET FILM & OTHER FILM SUB-CATEGORIES: INTERNET FILM: CORPORATE IMAGE Bronze

Credits & Description

Client: Hyundai Motor
Agency: Innocean Worldwide Seoul, South Korea
Entrant: Innocean Worldwide Seoul, South Korea
Idea Creation: Innocean Worldwide Seoul, South Korea
Media Placement: Innocean Worldwide Seoul, South Korea
Production: Planit Production Seoul, South Korea
Production 2: Editin Seoul, South Korea
Production 3: Vixen Studio Seoul, South Korea
Production 4: Asap Seoul, South Korea
Production 5: Love And Money Seoul, South Korea
Executive Creative Director: Kim, Jung A (Innocean)
Agency Producer: Kim, Bae Seong (Innocean)
Copywriter: Lee, Junkyu (Innocean)
Chief Of Campaign Director: Kim, Jong Pil (Innocean)
Executive Campaign Director: Kim, Jung Hwan (Innocean)
Campaign Director: Seok, Ayoung (Innocean)
Art Director: Hwang, Young Ho (Innocean)
Art Director: Park, Sangkwon (Innocean)
Copywriter: New, Summer (Innocean)
Copywriter: Park, Eunjoo (Innocean)
Campaign Planner: Kim, Jin (Innocean)
Campaign Planner: Kil, A Rum (Innocean)
Campaign Planner: Lee, Sun Jun (Innocean)
Media Director: Shim, Eun Jung (Innocean)
Media Planner: Lee, Jung Eun (Innocean)
Media Planner: Park, Kyunghee (Innocean)
Film Director: Ko, Han Ki (Love&Money)
Executive Producer: Jung, Sung Won (Planit)
Producer: Nam, Yoon Seok (Keystone)
Director Of Photography: Lippstock Torsten
Art Director: Go, Minju (Innocean)
Copywriter: Rhee, Seung Ha (Innocean)
Campaign Planner: Choi, Moon Hee (Inncoean)
Campaign Planner: Choi, Ha Been (Innocean)
Assiant Director: Jang, Mok Cheon (Innocean)
Editor: You, Se Jin (Editin)
2d Supervisor: Park, Ji In (vixen)
Sound Supervisor: Cho, Won Hee (Asap)
Producer: Tommy Lee (Keyston)
1st Assistant Camera: Seidl Alex
Website URL: http://shackletonsreturn.hyund...
Describe the campaign/entry:
To commemorate the centennial of 'The Endurance Expedition,' Hyundai Motor planned on creating an all on-location filmed, pure documentary of the trans-Antarctic expedition with Patrick Bergel, the great-grandson of Sir Ernest Shackleton.
Two years of preparation period for the expedition included modification of a commercial SUV, Santa Fe, for the appropriate adaptation in the arctic environment, and the conditioning training of Patrick and the teammates to prepare themselves for the arctic environment.
To commemorate the expedition of a hundred years ago, the names of Ernest Shackleton and his 27 crew members, along with the messages from their descendants were engraved on the surface of Santa Fe, the automobile that crossed the Antarctic in this expedition.
And finally, in December 2017, Patrick and Santa Fe successfully completed the traverse of the Antarctic in thirty days with total travel distance of 5,800 km, completing the unfulfilled dream from a hundred years ago.
Execution:
1. Preparation
- Found the descendants of the 27 original crew members
in 10 months
- Modification of the Santa Fe
(replacement of the fuel tank, 38 inch tire, modification
of portal gear)
- Engraved the messages on the vehicle to signify that the
original crewmembers and their descendants are on board
2. The execution
- Successful traverse of Antarctica,5,800km in 30 days.
('16 .12. 04 ~ '17 .1. 02)
- Pre-Launching: ‘Shackleton's Diary’ telling ‘Endurance
Expedition’ with ‘Eleni Kalokoti’
- Launching Event in London, UK (April 19th 2017).
- Campaign Launch: ‘Main Film’, 'Descendants Interview',
and 'Dedicated to Shackleton' film are released on Youtube.
The campaign site includes more detailed information such as
vehicle modification and Shackleton.
- After-Launch: ‘Patrick’s Diary’ by the great-grandson telling
his expedition.
- Additional: decided to donate the vehicle to the Antarctic Base
for research. Hyundai UK will be promoting ‘Special Edition’
- The first crossing of Antarctica by passenger car
(5,800km in 30 days)
- The only automobile marketing campaign to achieve 100M
YouTube views globally in 6 weeks
- “Top1 on Viral Video Chart”- AdAge
- “The Top-watched video this week” for 7 weeks
– Automotive News
- Earned global media coverage on the campaign/expedition in
about 40 countries
- Gained 13,500 followers on Social campaign account in a week
after the pre-launch
(Facebook 8,500 Follows, Instagram 5,000 Followers)
- Gained 2.3 million visitors with more than 200% page views on
website (4.83 million) without banner advertisement for landing
The Situation:
‘Shackleton’s Return’ was the campaign honoring the great explorer Shackleton by completing the Trans-Antarctic expedition which he tried to accomplish but failed, a hundred years ago.
Furthermore, main character of the campaign was not Hyundai Motor, but Shackleton and his crewmembers, Patrick, the great-grandson of Shackleton, and the descendants of Shackleton’s original crewmembers. The fact that Shackleton’s great-grandson took on the challenge to complete his great-grandfather’s dream of a hundred years ago, and that Hyundai Santa Fe was the first passenger car to cross the 5,800km of the Antarctic was spotlighted in the U.K, also in various media around globe.
The Strategy:
There are three strategic points which Hyundai Motor has planned for this campaign. First, Shackleton's leadership parallels Hyundai Motor’s core philosophy of 'Together for a Better Future,' which value customers above all else. Second strategic point of the campaign is to show Hyundai Motor’s vision that the car of the future should make possible for people to go anywhere, at any time. Third strategic point is to demonstrate Hyundai Motor’s outstanding technology.
As the sincerity is the most important factor for the three points above, we wanted to emphasize on the historical figure Shackleton, and created a documentary film with all on-location shootings in Antarctica.
During the preparation, the campaign was crafted through an in-depth research which included multiple consultations with related organizations, and interviews with the descendants of the crewmembers. We have recreated and provided the contents on all digital platforms to shed a new light on his story.