Awards » Dubai Lynx » Dubai Lynx 2018

Dubai Lynx 2018

Award Type: Advertising Awards

MENA's biggest celebration of creative communications
Dubai Lynx is all about showing off the MENA region's incredible creative output. It’s a four-day event that brings together top creatives, the world’s best brands, fledgling start-ups and everyone in between to learn, network and celebrate creative excellence in communications.

 

27 November -  Entries open

25 January 2018 - Late fees apply

8 February 2018 - Final deadline


Release of results
Early March: Shortlist online: Innovation
12 March 2018:  Shortlists online: Branded Content & Entertainment, Design, Direct, Film, Film Craft, Interactive, Media, Mobile, Outdoor, PR, Print & Publishing, Print & Outdoor Craft, Promo & Activation, Radio & Audio
14 March 2018:  Shortlists online: Creative Effectiveness, Healthcare, Integrated, Grand Prix for Good
14 March 2018:  Awards Ceremony
15 March 2018:  Winners online

Special Awards

Agency Of The Year

1. TBWA\RAAD, Dubai
2. BBDO Pakistan, Lahore

3. Y&R Dubai

 

Media Network Of The Year

1. OMD Worldwide
2. MediaCom

3. Magna Global / PHD Worldwide

 

Network Of The Year

1. TBWA Worldwide
2. McCann Worldgroup

3. BBDO Worldwide

 

Golden Palm Award

1. Good People Films, Egypt
2. Made In Saudi Films, Saudi Arabia

3. Dejavu, UAE

 

Advertiser Of The Year

du

 

Advertising Person Of The Year

Dani Richa, Chairman and CEO of BBDO Middle East, Africa and Pakistan

 

Independent Agency Of The Year

1. Good People Content, Cairo
2. Vice Arabia, Dubai

3. Vice Arabia, Dubai

 

University Of The Year

American University in Dubai

Pepsi Ramadan - The Ad You Cant Watch Alone! [image]

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Industry Soft Drinks
Media Film, Digital, Interactive & Mobile
Market Egypt
Agency Impact BBDO Cairo
Chief Creative Officer Hussam Moro
Executive Creative Director Ahmed El Keiy
Copywriter Omar Osman, Alaa Khalil
Senior Copywriter Wael Khairy
Junior Copywriter Ezz Tarek
Production The Talkies
Producer Khaled Zaky
Released June 2017

Awards

Dubai Lynx 2018
Branded Content & Entertainment Entertainment: Use of Digital & Social Bronze

Credits & Description

Client: Pepsico
Product: Pepsi Cola
Agency: Impact Bbdo Cairo, Egypt
Entrant: Impact Bbdo Cairo, Egypt
Product/Service: Pepsi Cola
Idea Creation: Impact Bbdo Cairo, Egypt
Production: The Talkies Cairo, Egypt
Executive Creative Director: Ahmed El Keiy (Impact Bbdo)
Senior Copywriter/Conceptulizer: Wael Khairy (Impact Bbdo)
Copywriter/conceptulizer: Omar Osman (Impact Bbdo)
Junior Copywriter: Ezz Tarek (Impact Bbdo)
Cco & President: Hussam Moro (Impact Bbdo)
Managing Director: Roni Chamcham (Impact Bbdo)
Business Unit Manager: Aref Fakhoury (Impact Bbdo)
Account Manager: Salma Shahin (Impact Bbdo)
Account Executive: Gehad Rashwan (Impact Bbdo)
Agency Producer: Emad El Tayeb (Impact Bbdo)
Head Of Planning: Noor Hassanein (Impact Bbdo)
Post-director: Tariq Ali (Zanad)
Director: Haitham Abu Samra (N/A)
Producer: Khaled Zaky (Talkies)
Copywriter: Alaa Khalil (Impact Bbdo)
Social Media URL: https://www.facebook.com/Pepsi...
Synopsis:
The Campaign:
We created content that wasn’t just viewed on mobile but made for mobile. We converted the smartphone from being a barrier to a facilitator, creating the first branded content you literally can’t watch alone! For the first time, we turned a Pepsi ad into a novel act. To watch Pepsi’s content, consumers would have to gather and align their phones – creating a video that you can only see across three frames.
In other words, you’d have to find two friends, physically place your phones vertically side-by-side, and press play at once. Content always has to lure in our target, and so the video featured the region’s most popular multi-generational fixture, Sameer Ghanem, who musically narrated the story of 3 friends struggling to spend time together because they’re too distracted with their phones. Ghanem ends the tale by telling viewers to leave their phones and spend time with one another.
Creative Execution:
Our execution was digitally-led, and limited to Facebook & YouTube, since these were the two main mediums to view videos on social media. Our main focus was on Facebook, and pushed viewership through carousel ads. Moreover, our only use of TV was with a 10” bumper teasing consumers with a hint that you can’t watch this year’s ad alone. Moreover, we only had the last two weeks of Ramadan to make an impact, adding to the fact that we were focused on creating a one-of-a-kind act that would create buzz & act as a stunt, rather than just another Ramadan ad that fought to resonate among the thousands of pieces of content.
Each video impression didn’t just count as a view, but for a time people actually got together! We couldn’t look at the results of each video in isolation, so we took the average video views, and that measured as our benchmark for the average number of times people got in a gathering. That translated into a staggering 270,000 gatherings in just 10 days! Each gathering consisted of 3 to 7 people watching simultaneously. Therefore, 270,000 gatherings equals a max reach of 1.89 million viewers within ten days! Almost all of the UGC shared proved that the groups were always more than 3 people so the exact number is unmeasurable. However, social media viewership of the campaign reached 8.2M views. Additionally, in 10 days we received 20M engagements, which was 70% higher compared to the best performing campaign for Pepsi in the past 6 months, and +17% higher vs. Ramadan 2016.
Most often the creativity of entertainment lies in its content or execution, however, on rare occasions it can lie how the content is delivered, and this is one of those times. We knew in the cluttered Ramadan media landscape relying on entertaining content would not suffice, and so we innovated in our mechanism in delivering our content. We created the first ever piece of content that you literally couldn’t watch alone; by creating a mobile-led cross device piece of content that required 3 phones to be placed side-by-side, turning our ad into a collective experience, with an interactive twist.
Social media/smart phone addiction among Egyptian youth is particularly obvious during Ramadan. Dubbed, “the most social” month of the year, Ramadan is the only time of year where families eat together every day, and attend/host social gatherings every night. But, there’s always that one common factor across all households – the detached youth. Instead of joining in on conversation, and spending time with the people around them, they’re stuck to their phones, scrolling through Instagram, tweeting mindlessly and streaming on YouTube. In fact, during Ramadan social media usage sees a +30% spike. Moreover, it is only during the holy month that we see a bombardment of content & entertainment. Putting all this into perspective, the truth of the matter is, the smartphone is the biggest hurdle coming between youth & the 'lama' (gathering). With that said, we turned technology from being the barrier of the ‘lama’ to the facilitator.